A Great Voice
Made In Britain
Voiceover, Podcaster,
TV Presenter, Radio Host
Why Choose Mark Ryes as Your British Voice?
I’m easy to work with, and my studio gives you a professional broadcast-ready sound that will require no additional effort on your part.
I can help you meet your deadlines by providing audio the same day – often in a few hours or less.
I’m able to create diverse and unique characters that can bring your story to life.
I offer the option to remotely listen in and direct me during the recording session.
If your business needs a fresh voice to represent you, get in touch today.
Schedule your Voiceover Recording Session
The Sound of Mark Ryes
Let me put my voice into words…
STYLE: Warm, trusted, friendly – a family man
PITCH: A rich, warm, distinctive baritone
TONE: Confident, Approachable, Knowledgeable
ACCENT: Neutral British, Classic RP
VOCAL AGE: 35-45 – plus ageless wizards and heroes
My Studio Sound
Please take a moment to hear this raw, untreated sample from my studio, so you can be confident that my studio fits your needs.
What My Clients Say About Me…
Frequently asked questions
Can you record a sample for me?
Yes of course, I’m happy to provide a free sample of a few lines of your script, so that we can lock down the style for you. You can send me a sample of your script to mark@britishvoiceover.co.uk and I’ll send you back a recording.
When will I get my Voiceover?
How much does it cost?
Each voiceover I do is unique and so is the price. Please get in touch with me, tell me what you want to achieve, and I can give you a quote. You can email me at: mark@britishvoiceover.co.uk
Can’t find the answer you’re looking for?
I have a whole page of Frequently Asked Questions here or, if you have something specific, please send me a message directly to mark@britishvoiceover.co.uk.
Listen To My Podcasts
How Do You Say That?! with Ian Russell
In ep 195 of “How Do You Say That?!”, Ian Russell joins Sam and Mark to talk about how serendipity can really influence your career. Accents you’re not supposed to do any more, and the difference between Horrific and Horrifying! We explore characterisation in Telephony jobs, and how a “handle” on both ends of a script can be quite helpful. Plus, as it’s nearly Halloween, we consider direction that says “be a wizard without being too wizardy”!
How Do You Say That?! with Jordan McNaught
In ep 194 of “How Do You Say That?!” Jordan McNaught joins Sam and Mark to talk about a military script which sparks discussion about how you’d treat the chain of command when playing characters in video games… and how it can affect real life too. We ask, if you don’t have experience of a subject – should you actively avoid it? We bring a salt-of-the-earth 1930’s gossipy character to life just from the dialogue, and Mark wishes he had a prop to help… but is that always necessary? There’s an exclusive exposé in the first three minutes of the show… and how one word can either be Scottish or Pirate – you decide!!
How Do You Say That?! With Christian Starr
In ep 193 of “How Do You Say That?!” Christian Starr joins Sam and Mark to talk about a dating script that could be horribly patronising to the listener if it weren’t firmly tongue in cheek and how finding the right words of direction is so important to the final feel of a piece.
We have a sharp discussion on what really makes a Film Noir style, and whether Mark can actually pull it off (you decide!), we ponder how a phrase like “ta-da” in a script as an exclamation can lead you to be a little more jazz-hands than is entirely comfortable, and Christian brings a script that at first reading makes no sense at all… until you realise that a glizzy and a gagger are both nicknames for a hotdog!!
Got A Bigger Project?
You Can Also Contact My Agent
US Agent
Impressive Talent
