A Great Voice
Made In Britain
Voiceover, Podcaster,
TV Presenter, Radio Host
Why Choose Mark Ryes as Your British Voice?
I’m easy to work with, and my studio gives you a professional broadcast-ready sound that will require no additional effort on your part.
I can help you meet your deadlines by providing audio the same day – often in a few hours or less.
I’m able to create diverse and unique characters that can bring your story to life.
I offer the option to remotely listen in and direct me during the recording session.
If your business needs a fresh voice to represent you, get in touch today.
Schedule your Voiceover Recording Session
The Sound of Mark Ryes
Let me put my voice into words…
STYLE: Warm, trusted, friendly – a family man
PITCH: A rich, warm, distinctive baritone
TONE: Confident, Approachable, Knowledgeable
ACCENT: Neutral British, Classic RP
VOCAL AGE: 35-45 – plus ageless wizards and heroes
My Studio Sound
Please take a moment to hear this raw, untreated sample from my studio, so you can be confident that my studio fits your needs.
What My Clients Say About Me…
Frequently asked questions
Can you record a sample for me?
Yes of course, I’m happy to provide a free sample of a few lines of your script, so that we can lock down the style for you. You can send me a sample of your script to mark@britishvoiceover.co.uk and I’ll send you back a recording.
When will I get my Voiceover?
How much does it cost?
Each voiceover I do is unique and so is the price. Please get in touch with me, tell me what you want to achieve, and I can give you a quote. You can email me at: mark@britishvoiceover.co.uk
Can’t find the answer you’re looking for?
I have a whole page of Frequently Asked Questions here or, if you have something specific, please send me a message directly to mark@britishvoiceover.co.uk.
Listen To My Podcasts
How Do You Say That?! with Magnus Rook
In ep 185 of “How Do You Say That?!” Magnus Rook joins Sam and Mark to talk about how a cold read is sometimes impossible, because you need to know what’s coming next in order to structure the delivery. We approach a charity script with some conversational levity, but without throwing away the main points, and discover that some people work in very different ways. We also ask is it ever worth breaking a script down line by line, and do you build a list, or give each item a slightly different flavour? Oh, then there’s the whole debate about the abbreviation “i.e.”!! Obsessions are to do with summer and the heat… and we hear a story of a double-decker nightmare!
How Do You Say That?! with Brigid Lohrey
In ep 184 of “How Do You Say That?!” Brigid Lohrey joins Sam and Mark to talk about approaching an Apple News script in a very specific way – bringing it to full conversational, but not too rounded. We explore performances where you’re left feeling, “Surely you want more than this?” Are we being told to make everything blander?? We talk about how directors can be really helpful in setting the scene for us, and how nothing moves fast underwater! Plus is it a help or a hinderance if a script is labelled as “corporate”? Our obsessions are West End theatre and summer night attire!
How Do You Say That?! with Kelly Hicks
In ep 183 of “How Do You Say That?!” Kelly Hicks joins Sam and Mark to talk about a script with four different insults, aimed at four different people, from a character thats a bully! We remember mean scenes in Rugrats, and one particular cartoon bully! Gone are the fun facts and in come the obsessions of the week, which include Harry Potter, cooling towels and office furniture!! There’s an audiobook ghostly story which is not bright, but not funereal… so we explore the depths in between.
Got A Bigger Project?
You Can Also Contact My Agent
US Agent
Impressive Talent
